Member Profiles
Ian Barford
Biography
Ian Barford is a Steppenwolf ensemble member. He originated the role of Wheeler in Tracy Letts's Linda Vista Vista. He also originated the role of Little Charles in August: Osage County (also on Broadway - original company - and The National Theatre of Great Britain) and Ray in Mary Page Marlowe, also by Tracy Letts. Broadway credits also include: Ed in the Tony-winning play The Curious Incident of the Dog in the Nighttime and Billy in The Rise and Fall of Little Voice. Steppenwolf credits include: The March, The Libertine, As I Lay Dying, Endgame, Visiting Edna, Berlin Circle, Betrayal, Three Days of Rain and many others. Regional credits include: All the Rage and Design for Living (Goodman Theatre); The Little Prince (Lookingglass Theatre Company); The Weir, God's Man in Texas, Take Me Out (Geffen Playhouse, Los Angeles); and Dead End (Ahmanson in Los Angeles). National Tour of Picasso at the Lapin Agile. Film credits include: Catch Hell, Return to Sender, Road to Perdition, 13 Going on 30, and others. Numerous television appearances."
Watch & Listen
Ensemble members John Malkovich and Yasen Peyankov
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ensemble member Martha Lavey
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ensemble member John Malkovich and Katrina Lenk
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ian Barford
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ensemble member Yasen Peyankov
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Katrina Lenk
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ensemble members Martha Lavey and Yasen Peyankov
credit: Michael Brosilow
Lost Land
In a remote castle in the wine-growing region of northern Hungary, a mysterious delegate arrives to persuade a beloved, retired politician to claim the reins of power. Set at the end of World War I, when the nation is on the verge of collapse, Lost Land confronts the ideas of statehood and personal obligation with sharp humor and intrigue.
Ensemble member Tracy Letts and Ian Barford
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ian Barford
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Guy Barile
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ensemble member Tracy Letts
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ensemble member Amy Morton
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Director Rick Snyder
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ian Barford
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ensemble member Amy Morton
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ensemble member Tracy Letts
credit:
Betrayal in rehearsal
The cast and crew of Betrayal in rehearsal for the play by Harold Pinter.
Ensemble member Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble members Tracy Letts and Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble members Ian Barford and Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble members Ian Barford and Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble members Ian Barford and Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble member Tracy Letts, Guy Barile and ensemble member Ian Barford
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Ensemble members Tracy Letts and Amy Morton
credit:
Betrayal in Production
Over the course of seven years, Emma and Jerry hide a love affair from Robert, Emma's husband and Jerry's best friend. The classic play of marriage and infidelity from Harold Pinter, the 2005 recipient of the Nobel Prize for Literature, reveals all of the doubts, worries, jealousies and ecstasies of relationships.
Fawn Johnstin with ensemble members Jeff Perry and Amy Morton
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble members Rondi Reed, Francis Guinan and Sally Murphy
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Deanna Dunagan
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble members Francis Guinan and Ian Barford
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble members Sally Murphy and Ian Barford
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Dennis Letts and Kimberly Guerrero
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Set design by Todd Rosenthall
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble member Amy Morton and Fawn Johnstin
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
The company
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble members Rick Snyder and Mariann Mayberry
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Ensemble members Rondi Reed and Amy Morton
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Deanna Dunagan
credit: Michael Brosilow
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
The company
credit: Jay Geneske
August: Osage County in Production
When their patriarch vanishes, the Weston clan must return to their three-story home in rural Oklahoma to get to the heart of the matter. With rich insight and brilliant humor, Letts paints a vivid portrait of a Midwestern family at a turning point.
Lee Stark and ensemble member Tim Hopper
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members Tim Hopper and Ora Jones
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Kelly O'Sullivan and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble members Ian Barford and Sally Murphy
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Francis Guinan, Tim Edward Rhoze and ensemble member Ian Barford
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Maury Cooper as Giles Corey
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Alan Wilder, Tim Rhoze and ensemble member Franics Guinan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Kelly O'Sullivan as Abigail Williams
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Tim Hopper as Reverend Hale
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
ensemble member Ora Jones as Tituba
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act Three
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Mildred Langford, Lucy Carapetyan and Kelly O'Sullivan
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
scene from Act One
credit: Michael Brosilow
The Crucible in Production
When teenage girls are discovered trying to conjure spirits, the 17th century town of Salem explodes with accusations of witchcraft. The vicious trials that follow expose a community paralyzed by fear, religious extremism and greed.
Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Artistic Director Martha Lavey
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Ian Barford
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Robert Breuler
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Ora Jones
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member Alana Arenas
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Jazz vocalist Maggie Brown
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Ensemble member K. Todd Freeman
credit: Mark Campbell
Dream Chicago
Featuring pieces by seven contemporary Chicago writers, Dream Chicago celebrated the visionary dreams from the past that gave character to the “City of Big Shoulders” and inspired its people to imagine a collective future. Dream Chicago was presented as part of Blockbuster Week in Millennium Park.
Steppenwolf subscribers and donors on a tour of the theater
credit: Mark Campbell
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors enjoying food from VINCI
credit: Luis Ibarra
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors on a tour backstage
credit: Mark Campbell
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors mingle in the downstairs theatre's balcony lobby
credit: Julia Dossett
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Michael Patrick Thornton, ensemble members Jon Michael Hill, Ian Barford, Francis Guinan and Artistic Director Martha Lavey
credit: Luis Ibarra
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors on a tour of the Merle Reskin green room
credit: Mark Campbell
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors engaged in a behind-the-scenes artistic discussion
credit: Luis Ibarra
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Steppenwolf subscribers and donors on a tour backstage
credit: Mark Campbell
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
A Steppenwolf subscriber with literary manager Joy Meads
credit: Luis Ibarra
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Display for the Steppenwolf VINCI Wine Tasting Series
credit: Julia Dossett
33rd Season Kick-Off Celebration
Steppenwolf's 33rd Season Kick-Off Celebration was an exciting look inside the 2008-2009 season, exploring the magical power of the imagination. The event featured backstage tours, a behind-the-scenes artistic discussion and much more.
Ensemble members Gary Cole, Ian Barford and Jeff Perry
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Deanna Dunagan with ensemble members Anna D. Shapiro and Mariann Mayberry
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Ensemble members Martha Lavey, Gary Cole and Ian Barford
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Ensemble member Jeff Perry with Chelcie Ross
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Cast of August: Osage County with Board of Directors and staff
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Cast of August: Osage County with Board of Directors and staff
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Board of Directors and staff
credit: Mark Campbell
August: Osage County London Toast
The Board of Directors and the staff of Steppenwolf saluted the cast of August: Osage County before they departed for an eight-week engagement at London’s National Theatre.
Joe Dempsey and Randall Newsome with ensemble member Ian Barford
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Randall Newsome and Joe Dempsey with ensemble member Ian Barford
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Randall Newsome with ensemble member Ian Barford and Joe Dempsey
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
John Procaccino with ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
John Procaccino with ensemble member K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Ensemble member Francis Guinan
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Ensemble member Francis Guinan with John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Ensemble member K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
John Procaccino with ensemble member Francis Guinan
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Ensemble member Francis Guinan with John Procaccino
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
John Procaccino with ensemble members Francis Guinan and K. Todd Freeman
credit: Michael Brosilow
Art in Production
Art explores the intricacies of a long-term friendship between three men. When one of them drops a fortune on a piece of modern art, his friends’ surprising reactions touch off a series of personal confrontations.
Tony Hernandez
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Rachel Brosnahan and Lauren Katz
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Jake Cohen
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Ensemble member Anna D. Shapiro, director of Up
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Ensemble member Martha Lavey with Rachel Brosnahan
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Ensemble member Ian Barford
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Ensemble member Martha Lavey with Jake Cohen and Rachel Brosnahan
credit: Mark Campbell
Up in Rehearsal
The cast and crew of Up in rehearsal for the play.
Ensemble member Ian Barford
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Ensemble member Martha Lavey with Jake Cohen
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Tony Hernandez and ensemble member Ian Barford
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Lauren Katz and Rachel Brosnahan
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Ensemble member Ian Barford with Jake Cohen
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Tony Hernandez
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Rachel Brosnahan and Jake Cohen
credit: Michael Brosilow
Up in Production
On the best day of his life, Walter Griffin built a flying machine that reached the clouds. Ever since, he’s tried to recapture that authentic moment of feeling completely free. Up is a quirky, bittersweet tale about an American family trying to escape the boundaries of the everyday by harnessing the power of the imagination.
Ensemble member William Petersen
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Francis Guinan and Ian Barford
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen, Frank Galati and Ian Barford
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey and Francis Guinan
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Francis Guinan and William Petersen
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Ian Barford and Martha Lavey
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Ian Barford and William Petersen
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey and Francis Guinan
credit: Mark Campbell
Endgame in Rehearsal
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit, as they pass their days in a tiny house by the sea—if the sea still exists. Pestered by Hamm's parents, they move through their daily rituals, awaiting the end of everything. A powerful all-ensemble cast anchors this profound exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Michael Brosilow
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Michael Brosilow
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey and Francis Guinan
credit: Michael Brosilow
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey,Francis Guinan and William Petersen
credit: Michael Brosilow
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble member Francis Guinan
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey,Francis Guinan and William Petersen
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members Francis Guinan, William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members Martha Lavey and Francis Guinan
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Ensemble members William Petersen and Ian Barford
credit: Mark Campbell
Endgame in Production
Beckett's absurd comic masterpiece follows Hamm, a blind man unable to stand, and his servant Clov, who is unable to sit. Pestered by his parents, Hamm directs this unusual family through their daily rituals, awaiting the end of everything. Swerving from the magnificent to the miniscule and from the profound to the profoundly ridiculous, a powerful all-ensemble cast brings to life this epic tale set in a tiny room. Endgame is a compelling exploration of the stories we construct to make sense of our lives.
Scott Jaeck, ensemble member John Mahoney and ensemble member Yasen Peyankov
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Yasen Peyankov, ensemble member Ian Barford, ansemble member john Mahoney, Scott Jaeck and Director Amy Morton
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Yasen Peyankov
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
The scenic detritus of Penelope
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
The cast in Yondorf rehearsal hall
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Director and ensemble member Amy Morton
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Yasen Peyankov, ensemble member John Mahoney, Scott Jaeck and ensemble member Ian Barford
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Ian Barford
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Scott Jaeck and ensemble member Ian Barford
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member John Mahoney
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member John Mahoney and ensemble member Yasen Peyankov
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Ian Barford, ensemble member Yasen Peyankov and Scott Jaeck
credit: Joel Moorman
Penelope in Rehearsal
Take a look at rehearsal photos from steppenwolf's next Production Penelope by Enda Walsh. The production is directed by ensmeble member Amy Morton, and features ensemble members Ian Barford, John Mahoney and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Tracy Letts, Scott Jaeck and ensemble member Yasen Peyankov
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble members Ian Barford and Yasen Peyankov
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble members Tracy Letts and Yasen Peyankov, Scott Jaeck and ensemble member Ian Barford
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Tracy Letts
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Yasen Peyankov, Scott Jaeck, ensemble member Tracy Letts and Logan Vaughn
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Logan Vaughn
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Scott Jaeck
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Tracy Letts, Scott Jaeck, ensemble member Yasen Peyankov, Logan Vaughn and ensemble member Ian Barford
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Ensemble member Tracy Letts, Scott Jaeck and ensemble members Ian Barford and Yasen Peyankov
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
Logan Vaughn
credit: Michael Brosilow
Penelope in Production
Photos from Steppenwolf's production of Penelope, written by Enda Walsh. Penelope is directed by ensemble member Amy Morton and features ensemble members Ian Barford, Tray Letts and Yasen Peyankov, with Scott Jaeck and Logan Vaughn.
The cast of The March
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Director and ensemble member Frank Galati and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Shannon Matesky
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Composer Josh Schmidt and lead Musician L.J. Slavin
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Cliff Chamberlain
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Stephen Louis Grush and ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Shannon Matesky, Director and ensemble member Frank Galati and Will Allen
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Cliff Chamberlain, Michael Mahler and Harry Groener
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensemble member Martha Lavey
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Stephen Louis Grush
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Phillip James Brannon
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensmeble member Alan Wilder
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member and Director Frank Galati
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Ian Barford
credit: Joel Moorman
The March in Rehearsal
We stopped by rehearsals for Frank Galati's world premiere adaptation of E.L. Doctorow's Civil War novel, The March. The March is Steppenwolf's fourth production in the 2011-2012 season.
Ensemble member Mariann Mayberry and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Patrick Clear and members of cast
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Mariann Mayberry, Carrie Coon, Phillip R. Smith, ensemble member Alan Wilder and Shannon Matesky
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Harry Groener, Patrick Clear, Michael Mahler, John Grossman, Cliff Chamberlain and ensemble member Alan Wilder
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Martha Lavey and ensemble member Mariann Mayberry
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Cast members of The March with Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Alana Arenas and Carrie Coon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Stephen Louis Grush and ensemble member Ian Barford
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
ensemble member James Vincent Meredith and ensemble member Alana Arenas
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member Ian Barford with Phillip James Brannon
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Shannon Matesky, ensemble member Alan Wilder and Phillip R. Smith
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
The Cast of The March
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Harry Groener
credit: Michael Brosilow
The March In Production
Production Photos from Steppenwolf's world premiere production of THE MARCH, adapted from the novel by E.L. Doctorow. THE MARCH is written and directed by ensemble member Frank Galati and features ensemble members Alana Arenas, Ian Barford, Martha Lavey, Mariann Mayberry, James Vincent Meredith and Alan Wilder.
Ensemble member John Mahoney
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member Moira Harris
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble members John Mahoney, Austin Pendleton and Moira Harris
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble members Moira Harris and Ian Barford
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Sophia Sinise
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
The cast of <i>The Birthday Party</i>
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member Francis Guinan
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member John Mahoney
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member Moira Harris
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble members Moira Harris, Ian Barford and John Mahoney
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble members Moira Harris and John Mahoney
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble members Ian Barford, Austin Pendleton and Moira Harris
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member Austin Pendleton
credit: Joel Moorman
THE BIRTHDAY PARTY in Rehearsal
Rehearsal photos of Steppenwolf's production of The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophie Sinise.
Ensemble member Ian Barford and Marc Grapey
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble member Francis Guinan with Marc Grapey and ensemble member Ian Barford
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Marc Grapey with ensemble members Moira Harris, Ian Barford and Francis Guinan, as well as Sophia Sinise
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members Francis Guinan, Moira Harris and Ian Barford with Sophia Sinise
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble member Francis Guinan and Marc Grapey
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members Moira Harris and Ian Barford
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members Moira Harris and Ian Barford with Sophia Sinise, ensemble member Francis Guinan and Marc Grapey
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble member Moira Harris
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members John Mahoney and Francis Guinan
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Marc Grapey with ensemble member Moira Harris
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members Ian Barford and Moira Harris
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble member John Mahoney
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble member Francis Guinan with Marc Grapey
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Ensemble members Moira Harris and John Mahoney
credit: Michael Brosilow
THE BIRTHDAY PARTY in Production
Production photos of Steppenwolf's The Birthday Party, written by Harold Pinter and directed by ensemble member Austin Pendleton. The Birthday Party features ensemble members Ian Barford, Francis Guinan, Moira Harris and John Mahoney, with Marc Grapey and Sophia Sinise.
Carrie Coon
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Blair Brown and ensemble member Alan Wilder
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Ensemble member and writer Tracy Letts
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Ariana Venturi
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Ensemble member and director Anna D. Shapiro
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Tess Frazer and Annie Munch
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Rebecca Spence
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Madeline Weinstein
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Stephen Cefalu, Jr. and Amanda Drinkall
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Blair Brown
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Ensemble member and director Anna D. Shapiro
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Madeline Weinstein, Jack Edwards and Rebecca Spence
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Amanda Drinkall
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Kirsten Fitzgerald and Carrie Coon
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Ensemble member and writer Tracy Letts, artistic producer Jon Berry and dramaturg Edward Sobel
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Blair Brown and ensemble member Alan Wilder
credit: Joel Moorman
MARY PAGE MARLOWE in Rehearsal
Rehearsal photos for Steppenwolf's world premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts and directed by ensemble member Anna D. Shapiro. Mary Page Marlowe features ensemble members Ian Barford and Alan Wilder. Additional casting includes Blair Brown, Benicio Calderone, Stephen Cefalu, Jr., Carrie Coon, Amanda Drinkall, Jack Edwards, Laura T. Fisher, Kirsten Fitzgerald, Tess Frazer, Charlotte Freund, Keith D. Gallagher, Caroline Heffernan, Sandra Marquez, Annie Munch, Rebecca Spence, Ariana Venturi, Madeline Weinstein, Sebastian White and Gary Wilmes.
Amanada Drinkall and Caroline Heffernan
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Madeline Weinstein, Jack Edwards and Rebecca Spence
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Caroline Heffernan
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Tess Frazier, Annie Munch and Ariana Venturi
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Blair Brown and ensemble member Alan Wilder
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Carrie Coon and Kirsten Fitzgerald
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Kirsten Fitzgerald
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Carrie Coon and Gary Wilmes
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Carrie Coon
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Rebecca Spence
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Laura T. Fisher and ensemble member Ian Barford
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
Keith Gallagher and Blair Brown
credit: Michael Brosilow
MARY PAGE MARLOWE in Production
Production photos of Steppenwolf's world-premiere production of Mary Page Marlowe, written by ensemble member Tracy Letts, and directed by ensemble member Anna D. Shapiro. The play features ensemble members Ian Barford and Alan Wilder.
credit:
A Streetcar Named Desire
Steppenwolf actor and co-founder Gary Sinise returns to the Chicago stage as the brutish, rough-hewn Stanley Kowalski in Tennessee Williams' American Classic.
credit:
A Streetcar Named Desire
Steppenwolf actor and co-founder Gary Sinise returns to the Chicago stage as the brutish, rough-hewn Stanley Kowalski in Tennessee Williams' American Classic.
credit:
Absent Friends
Absent Friends
Tracy Michelle Arnold and Matthew Krause
credit:
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Matthew Krause; Tracy Michelle Arnold
credit:
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Tracy Michelle Arnold
credit:
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Kirk Anderson; Matthew Krause and Tracy Michelle Arnold
credit:
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Tracy Michelle Arnold and Matthew Krause
credit:
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Tracy Michelle Arnold; Kirk Anderson
credit: Michael Brosilow
Lady Madeline
Experience a re-imagining of Edgar Allan Poe's classic tale "The Fall of the House of Usher" with live music as retold by the heretofore silent character Madeline. Enter the House of Usher through the cellar door to find out exactly what happened between Madeline and her twin brother Roderick that led her to be sealed up in the tomb...alive.
Ensemble member Tracy Letts and Christopher McLinden
credit:
Last of the Boys
Jeeter arrives in the Great Central Valley to the rusted trailer of his buddy Ben, a fellow Vietnam veteran. Their beer drinking is interrupted by the arrival of Jeeter’s new girlfriend, her crazy mother and a stranger from their shared past.
Ensemble member Tracy Letts and John Judd; ensemble member Amy Morton and John Judd
credit:
Last of the Boys
Jeeter arrives in the Great Central Valley to the rusted trailer of his buddy Ben, a fellow Vietnam veteran. Their beer drinking is interrupted by the arrival of Jeeter’s new girlfriend, her crazy mother and a stranger from their shared past.
Ensemble members Tracy Letts and Mariann Mayberry; John Judd
credit:
Last of the Boys
Jeeter arrives in the Great Central Valley to the rusted trailer of his buddy Ben, a fellow Vietnam veteran. Their beer drinking is interrupted by the arrival of Jeeter’s new girlfriend, her crazy mother and a stranger from their shared past.
Ensemble member Tracy Letts and Christopher McLinden; ensemble member Amy Morton
credit: Michael Brosilow
Last of the Boys
Jeeter arrives in the Great Central Valley to the rusted trailer of his buddy Ben, a fellow Vietnam veteran. Their beer drinking is interrupted by the arrival of Jeeter’s new girlfriend, her crazy mother and a stranger from their shared past.
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One Flew Over The Cuckoo's Nest
Ribald and ultimately shattering One Flew Over the Cuckoo's Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the Nurse Ratched, is thrown up for grabs.
Co-Founder Gary Sinise
credit:
One Flew Over The Cuckoo's Nest
Ribald and ultimately shattering One Flew Over the Cuckoo's Nest is the unforgettable story of a mental hospital and its inhabitants. When a brash new inmate arrives, the rigid program of the ward, headed by the Nurse Ratched, is thrown up for grabs.
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Slaughterhouse-Five
Part history, part time-traveling science-fiction, Slaughterhouse-Five is the satirical tale of Billy Pilgrim, a naïve American optometrist from Illium, New York, who survives the firebombing of Dresden, Germany by American and British troops during World War II.
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The Fall To Earth
An unexpected death throws Fay and her daughter Rachel together for the first time in years. When a friendly police officer attempts to ease their suffering, their funny, frustrating relationship takes on a new life.
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The Fall To Earth
An unexpected death throws Fay and her daughter Rachel together for the first time in years. When a friendly police officer attempts to ease their suffering, their funny, frustrating relationship takes on a new life.
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The Roches with a Holiday Twist
The Roches return to Steppenwolf with their brother Dave to present this fun, family show. Featuring material from thirty years of their legendary career as well as selections from their beloved Christmas album, this show would put even Scrooge into the holiday spirit!
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The Roches with a Holiday Twist
The Roches return to Steppenwolf with their brother Dave to present this fun, family show. Featuring material from thirty years of their legendary career as well as selections from their beloved Christmas album, this show would put even Scrooge into the holiday spirit!
credit: Doug McGoldrick
The Roches with a Holiday Twist
The Roches return to Steppenwolf with their brother Dave to present this fun, family show. Featuring material from thirty years of their legendary career as well as selections from their beloved Christmas album, this show would put even Scrooge into the holiday spirit!
credit: Michael Brosilow
The Royal Family
Ensemble members Amy Morton and Tracy Letts
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The Well-Appointed Room
The Well-Appointed Room
Josh Charles and Kate Arrington
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The Well-Appointed Room
The Well-Appointed Room
Ensemble members Tracy Letts and Amy Morton
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The Well-Appointed Room
The Well-Appointed Room
Josh Charles, Kate Arrington and ensemble member Tracy Letts
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The Well-Appointed Room
The Well-Appointed Room
Kate Arrington and ensemble member Tracy Letts
credit: Michael Brosilow
The Well-Appointed Room
The Well-Appointed Room
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Theatrical Essays
Tina Landau explores the essay form in performance and asks what it means to have a point of view.
Ensemble members Moira Harris, Molly Regan and Joan Allen
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Three Sisters
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Valparaiso
A man set out on an ordinary business trip to Valparaiso, Indiana, which becomes a mock-heroic journey toward identity and transcendence. In this sharp, funny and deep-reaching play, characters tell one another things that they don't dare say in private.
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Wedding Band
Summer 1918. Julia Augustine, an industrious young African-American woman, moves to a small seaside town in South Carolina, hoping to live a quiet, anonymous life. Her discreet manner arouses the interest of her boisterous neighbors who discover her secret - a long-standing love affair with Herman, a white man.
Dramaturg Edward Sobel
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Tim Rock (Justin)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Tim Rock (Justin) and Stephen Louis Grush (Brandon)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Tim Rock (Justin) and Stephen Louis Grush (Brandon)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Playwright Roberto Aguirre-Sacasa
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Stephen Louis Grush (Brandon)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Kelli Simpkins (Maddy)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Director Pam MacKinnon and Martha Lavey (Elizabeth)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
John Procaccino (Coach Shea)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
Kelly O'Sullivan (Cheryl)
credit: Jay Geneske
Table Work for Good Boys and True
The cast and crew of Good Boys and True at one of the first readings for the new play by Roberto Aguirre-Sacasa.
credit:
The Nutcracker in Production
When their son is killed in the war, David and Martha are unable to help their daughter Clara comprehend the loss. Just when all hope seems lost, Great Uncle Drosselmeyer arrives bearing a mysterious gift.
credit:
The Nutcracker in Production
When their son is killed in the war, David and Martha are unable to help their daughter Clara comprehend the loss. Just when all hope seems lost, Great Uncle Drosselmeyer arrives bearing a mysterious gift.
credit:
The Nutcracker in Production
When their son is killed in the war, David and Martha are unable to help their daughter Clara comprehend the loss. Just when all hope seems lost, Great Uncle Drosselmeyer arrives bearing a mysterious gift.
credit:
The Nutcracker in Production
When their son is killed in the war, David and Martha are unable to help their daughter Clara comprehend the loss. Just when all hope seems lost, Great Uncle Drosselmeyer arrives bearing a mysterious gift.
Director Pam MacKinnon and Tim Rock
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Director Pam MacKinnon, Tim Rock and Stephen Louis Grush
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Director Pam MacKinnon and Tim Rock
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Stephen Louis Grush
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Asst. Stage Manager Jonathan Templeton notates script changes
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Stephen Louis Grush
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.
Tim Rock and Stephen Louis Grush
credit: Jay Geneske
Good Boys and True in Rehearsal
The cast and crew of Good Boys and True in rehearsal for the Steppenwolf 2007-2008 season's first world premiere drama.Past Productions
- Linda Vista
- Art
- As I Lay Dying
- August: Osage County
- Betrayal
- Detroit
- Dream Chicago
- Endgame
- Lost Land
- Love Song
- Mary Page Marlowe
- Penelope
- The Berlin Circle
- The Birthday Party
- The Crucible
- The Libertine
- The March
- The Rise And Fall Of Little Voice
- Three Days Of Rain
- Time Of My Life
- Up
- Visiting Edna
- Another Marriage
Member Profiles
Ian Barford
Past Productions
- Another Marriage
- Art
- As I Lay Dying
- August: Osage County
- Betrayal
- Detroit
- Dream Chicago
- Endgame
- Linda Vista
- Lost Land
- Love Song
- Mary Page Marlowe
- Penelope
- The Berlin Circle
- The Birthday Party
- The Crucible
- The Libertine
- The March
- The Rise And Fall Of Little Voice
- Three Days Of Rain
- Time Of My Life
- Up
- Visiting Edna