Member Profiles
Tom Irwin
Biography
Tom Irwin, a member of the Steppenwolf ensemble since 1979, has been involved in over 50 productions with the company. He was last seen on the Steppenwolf stage in The Christians. Other Steppenwolf acting highlights include Domesticated, The Grapes of Wrath (also La Jolla and The Royal National Theatre London), Balm in Gilead (also off-Broadway), My Thing of Love (also Broadway), The Homecoming, Three Sisters, Tracers, Hedda Gabler, Aunt Dan and Lemon, The Seafarer (also Geffen Playhouse), Frank’s Wild Years with Tom Waits, Space, Cat On A Hot Tin Roof, And A Nightingale Sang, We All Went Down To Amsterdam, Little Egypt, The Miss Firecracker Contest and A Parallelogram (also Mark Taper Forum), among many others. He was in Up For Grabs with Madonna (Wyndam Theatre London); Misha’s Party (Williamstown Theatre Festical); Fiction (Roundabout Theatre Company); New England (Manhattan Theatre Club) and Much Ado About Nothing with Helen Hunt and Lyle Lovett and Pyrenees (Kirk Douglas Theatre). His film and television credits include Mr. Jones, Deceived, Midnight Run, 21 Grams, Marley and Me, My Life and Times, My So-Called Life, Related, Saving Grace, Chasing Life and Devious Maids. Irwin has been on the faculty of The Goodman School of Drama at DePaul University and Columbia College in Chicago. He is a class instructor at Steppenwolf Theater West School of Drama in Los Angeles, California. He currently plays Fred Micklin in the Apple TV series The Morning Show.
Watch & Listen
Ensemble members Gary Cole
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.Ensemble members John Mahoney, Joan Allen, and Tom Irwin
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.credit:
And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.Ensemble members Joan Allen and Tom Irwin
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.Ensemble member John Mahoney
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.Ensemble members Laurie Metcalf, Joan Allen, and Al Wilder
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.Ensemble members Joan Allen and Gary Cole
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.(l-r) Gary Cole, Al Wilder, Joan Allen, Laurie Metcalf, John Mahoney, and Tom Irwin
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And A Nightingale Sang
And a Nightingale Sang went to New York in 1983.credit:
The Grapes Of Wrath
The Grapes of Wrath traveled to Broadway, California and London in 1989-1990.credit:
The Grapes Of Wrath
The Grapes of Wrath traveled to Broadway, California and London in 1989-1990.credit:
The Grapes Of Wrath
The Grapes of Wrath traveled to Broadway, California and London in 1989-1990.credit:
The Grapes Of Wrath
The Grapes of Wrath traveled to Broadway, California and London in 1989-1990.credit:
The Grapes Of Wrath
The Grapes of Wrath traveled to Broadway, California and London in 1989-1990.credit:
We All Went Down To Amsterdam
At a typically charmless nursing home, the resident troublemaker, Woody, is confronted by a visitor from his past—a past he can barely remember.Ensemble member John Mahoney
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble members Francis Guinan and Tom Irwin
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member Randall Arney
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member Randall Arney with Randall Newsome
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member Tom Irwin
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble members John Mahoney and Alan Wilder
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member John Mahoney
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member Francis Guinan with Randall Newsome
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble members John Mahoney, Alan Wilder, Francis Guinan and Tom Irwin
credit: Mark Campbell
The Seafarer in Rehearsal
The cast and crew of The Seafarer in rehearsal for the play by Conor McPherson.Ensemble member K. Todd Freeman
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Robert Breuler
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Frank Galati
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.David Schwimmer
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Alan Wilder
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble member Tom Irwin
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Michael Smith
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Dennis Zacek
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ernest Perry, Jr.
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Rick Kogan
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Tina Brown, Rhonda Preston and David Simmons
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Cast of Will the Circle Be Unbroken?
credit: Mark Campbell
Will the Circle Be Unbroken? in Production
A Tribute to Studs Terkel: Will the Circle Be Unbroken? directed by Steppenwolf Associate Artist Jessica Thebus and featuring Steppenwolf ensemble members Robert Brueler, K. Todd Freeman, Tom Irwin, Alan Wilder, Martha Lavey and Frank Galati.Ensemble members John Mahoney, Alan Wilder, Francis Guinan with Randall Newsome and ensemble member Tom Irwin
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members John Mahoney and Alan Wilder
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble member Tom Irwin
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members Francis Guinan, John Mahoney, Alan Wilder with Randall Newsome and ensemble member Tom Irwin
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble member Francis Guinan
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble member John Mahoney
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members John Mahoney, Francis Guinan and Alan Wilder
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members Tom Irwin and Francis Guinan
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members John Mahoney, Francis Guinan, Alan Wilder with Randall Newsome and ensemble member Tom Irwin
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members John Mahoney and Alan Wilder
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.Ensemble members John Mahoney, Francis Guinan and Alan Wilder
credit: Michael Brosilow
The Seafarer in Production
It’s Christmas Eve in Dublin. In the rundown house where Sharky cares for his blind brother, old acquaintances gather for a card game—joined by an ominous stranger. As the booze flows and the game intensifies, Sharky discovers he is playing for his soul.A view from the seat of the stage manager
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Kate Arrington and Anna D. Shapiro on the rehearsal set
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Polly Carl and Bruce Norris
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tom Irwin, Kate Arrington and Anna D. Shapiro
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Bruce Norris, Anna D. Shapiro and Tim Bickel
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Marylouise Burke(background) and Anna D. Shapiro
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tom Irwin and Kate Arrington
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tom Irwin and Anna D. Shapiro
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tom Irwin, Anna D. Shapiro and Kate Arrington
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Anna D. Shapiro and Laura D. Glenn
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Kate Arrington and Tom Irwin
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Bruce Norris and set model
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Marylouise Burke and Tom Irwin
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tim Bickel "mowing the lawn"
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Rehearsal room
credit: Mark Campbell
A Parallelogram in Rehearsal
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Kate Arrington with Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble members Tom Irwin and Kate Arrington
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Tom Irwin with Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Kate Arrington with Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Tim Bickel with ensemble member Kate Arrington
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble members Tom Irwin and Kate Arrington
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Kate Arrington
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Tom Irwin with Tim Bickel
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble member Kate Arrington with Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Ensemble members Kate Arrington and Tom Irwin (background) with Marylouise Burke
credit: Michael Brosilow
A Parallelogram in Production
Bee is a young woman who believes she has the uncanny ability to see the future, and maybe even alter it. With the click of a television remote, we loop through time in this dark, funny world premiere about a woman bent on reinventing her own destiny - and possibly the world.Beth Lacke, ensemble member Tom Irwin and Mary Beth Fisher
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher, Beth Lacke, director Bruce Norris and ensemble member Tom Irwin
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher and ensemble member Tom Irwin
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Rae Gray and Mildred Marie Langford
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Beth Lacke and Mary Beth Fisher
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Emily Chang
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Melanie Neilan
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Beth Lacke and director Bruce Norris
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Esteban Andres Cruz
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Rae Gray
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher
credit: Joel Moorman
DOMESTICATED in Rehearsal
Rehearsal photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher, Melanie Neilan, Emily Chang, Meighan Gerachis and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Ensemble member Tom Irwin and Esteban Andres Cruz
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Rae Gray and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher, ensemble member Tom Irwin, Mildred Marie Langford and Rae Gray
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher, Meg Thalken and Melanie Neilan
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Meighan Gerachis, Mary Beth Fisher, Melanie Neilan and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Beth Lacke
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Mary Beth Fisher and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Emily Chang
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Meg Thalken and Mary Beth Fisher
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.Karen Janes Woditsch, Mildred Marie Langford, Meighan Gerachis, Beth Lacke, Mary Beth Fisher and ensemble member Tom Irwin
credit: Michael Brosilow
DOMESTICATED in Production
Photos for Steppenwolf's production of Domesticated, written and directed by ensemble member Bruce Norris. Domesticated features ensemble member Tom Irwin, with additional casting including Emily Chang, Esteban Andres Cruz, Mary Beth Fisher, Meighan Gerachis, Rae Gray, Beth Lacke, Mildred Marie Langford, Melanie Neilan, Meg Thalken and Karen Janes Woditsch.credit:
No Man's Land
No Man's LandMarilyn Dodds Frank and ensemble member Kate Arrington
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Coburn Goss and Amy Warren
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.ensemble member Kate Arrington and Coburn Goss
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Lauren Katz, Amy Warren and ensemble member Kate Arrington
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Marilyn Dodds Frank
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Coburn Goss and Amy Warren
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Lauren Katz and Coburn Goss
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Lauren Katz, Amy Warren and ensemble member Kate Arrington
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.ensemble member Kate Arrington and Amy Warren
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Marilyn Dodds Frank, ensemble member Kate Arrington and Lauren Katz
credit: Jay Geneske
When the Messenger Is Hot in Production
Three years after Josie’s mother died, no one expects her to telephone from a bus station in North Dakota. This smart and slyly comic study of love and letting go is an insightful look at the disparity between what you expect and what is delivered.Gary
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Gary
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Gary
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.When the Messenger Is Hot
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.When the Messenger Is Hot
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.When the Messenger Is Hot
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Tranquillity Woods
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Gary
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.When the Messenger Is Hot
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Tranquillity Woods
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Tranquillity Woods
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Tranquillity Woods
credit: Jay Geneske
First Look in Production
First Look continues Steppenwolf’s commitment to new plays for the American theater: three exciting productions presented in rotating repertory, accompanied by a series of readings, lectures and events around the development of new work.Ensemble members James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble members Alana Arenas and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member Sally Murphy as Elizabeth Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member James Vincent Meredith as John Proctor
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble member Alana Arenas as Mary Warren
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Ensemble members James Vincent Meredith and Sally Murphy
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Director Anna D. Shapiro with Sally Murphy, James Vincent Meredith and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.James Vincent Meredith, Anna D. Shapiro and Alana Arenas
credit: Michael Brosilow
The Crucible in Rehearsal
The cast and crew in rehearsal for The Crucible.Credits & Awards
Film
21 Grams; Midnight Run; Mr. Jones; Deceived; Light of Day; In Quiet Night; The Haunting; Men Don't Leave.Theatre
Actor Off-Broadway: New England; Williamstown Theatre Festival: Misha's Party; Northlight Theatre: The Glass Menagerie Wyndham's Theatre, London: Up for Grabs Director New Stage: Night Mother; Long Days Journey Into Night; Free Shakespeare: Richard II; Illinois Shakespeare: King Lear.Television
Related; Reunion; Ghost Whisperer; Snow White (Hallmark); My So Called Life (ABC); My Life and Times (ABC); No Greater Love (CBS); When Husbands Cheat (W Network); The Girl Next Door; A Step Toward Tomorrow (CBS); Sandy Bottom Orchestra (Showtime); Fatal Exposure (Court TV); Holiday Affair; All Together Now; My Very Best Friend; Innocent Victims; Country Estates; To My Daughter; In the Best Interest of the Child.Awards
Joseph Jefferson Award (The Glass Menagerie).Past Productions
- The Christians
- A Moon For The Misbegotten
- A Parallelogram
- A Slip Of The Tongue
- Absent Friends
- And A Nightingale Sang
- Aunt Dan And Lemon
- Balm In Gilead
- Balm in Gilead (Remount at the Apollo Theater Center)
- Bonjour, La Bonjour
- Cat On A Hot Tin Roof
- Domesticated
- Frank's Wild Years
- Hedda Gabler
- Little Egypt
- Love Letters
- Lydie Breeze
- Miss Julie
- My Thing Of Love
- No Man's Land
- Pot Mom
- Quiet Jeannie Green
- Savages
- Space
- Stage Struck
- Stupid Kid
- The Grapes Of Wrath
- The Homecoming
- The Hothouse
- The House
- The Miss Firecracker Contest
- The Seafarer
- Three Sisters
- Tracers
- Waiting For Lefty
- We All Went Down To Amsterdam
- Will the Circle Be Unbroken?
- You Can't Take It With You
- Your Home In The West
Member Profiles
Tom Irwin
Past Productions
- A Moon For The Misbegotten
- A Parallelogram
- A Slip Of The Tongue
- Absent Friends
- And A Nightingale Sang
- Aunt Dan And Lemon
- Balm In Gilead
- Balm in Gilead (Remount at the Apollo Theater Center)
- Bonjour, La Bonjour
- Cat On A Hot Tin Roof
- Domesticated
- Frank's Wild Years
- Hedda Gabler
- Little Egypt
- Love Letters
- Lydie Breeze
- Miss Julie
- My Thing Of Love
- No Man's Land
- Pot Mom
- Quiet Jeannie Green
- Savages
- Space
- Stage Struck
- Stupid Kid
- The Christians
- The Grapes Of Wrath
- The Homecoming
- The Hothouse
- The House
- The Miss Firecracker Contest
- The Seafarer
- Three Sisters
- Tracers
- Waiting For Lefty
- We All Went Down To Amsterdam
- Will the Circle Be Unbroken?
- You Can't Take It With You
- Your Home In The West